"She prefers to work with older objects and photographs that have history. Her choice in subject matter also correlates to questions and issues she has about her own identity and Iranian heritage."

"She uses the tea bags..., because they symbolise the filtering process whereby something enters the form and leaves transformed."

"Aylene Fallah's work is about traces of an environment or a vision, forms of the exploration of a tradition, a narrative of solitude and passion. Her work is about stories merging into a new vision to be born full of contradictions. Thus... transformations evoke many intellectual inquiries and penetrate the psyche into a universal mind capable of exploring what is absent."

"Yet as much as her works urge us to consider materials and her aesthetics Aylene Fallah's social commentaries dispel sentimental associations. Her artistic expression becomes an in-depth scrutiny into her world"

"It is unclear whether the figure is praying, asleep or dead - each action representing its own kind of spiritual passage. Even more perplexing is the question of whether the relationship between the disembodied face and the decontextualized religious script is one of reverence or disavowal."